Keywords
- A Midsummer Night’s Dream
- accent
- acting gender
- adaptation
- Adaptation
- Adaptive process
- Addressing the audience
- aesthetic categories
- Aesthetic strategies
- aesthetics
- African American drama
- agency
- Agrippina
- Alberti
- Alex Waldmann
- all-female
- Allegory
- Alterity
- Ambiguity
- André Crocq
- Andreï Serban
- Andrés Lima
- Anglo-Norman
- Anti‑Semitism
- Antonio Latella
- Apartheid
- apocalypse
- Appearances
- Appropriation
- Aristotle
- Arrigo Boito
- art of war
- aspirations
- attainment
- audience reception
- Audience reception
- aural performativity
- Austria’s National Theatre
- Author-function
- Autorité
- ballet
- Baroque
- baroque
- Battle of Agincourt
- Battle of Crecy
- Battle of Poitiers
- Baz Luhrmann
- Biblical typology
- Black Arts
- Black Death
- Black Power
- Blazon
- Boece
- Bottom
- Boudica
- boy actors
- Branagh cult
- Brecht
- British historiography
- brutality
- burlesque
- C. Bernard
- Cahiers du Cinéma
- Caliban
- canon-making
- Caribbean
- Carlin
- Carnivalesque
- Cartimandua
- casting
- Caxton
- chanson de geste
- Chaucer
- chivalric code
- chivalry
- cinema
- Civil Rights (U.S.)
- classical Hollywood cinema
- Cleopatra
- Cold War
- Comédie-Française
- Comedy
- comedy
- comics
- Congo
- contemporary Italian theatre
- Conventions
- Corp(u)s
- court performance
- cross-casting
- cross-dressing
- cross-gender
- cross-gender casting
- Crossing
- crystal-image
- Cue Script Technique
- Cymbeline
- David Greg
- DDR
- death
- Deception
- democratic theatre
- demystify
- Derrida
- Desdemona
- Diaspora
- Dickens
- Die Lustigen Weiber von Windsor
- digital cinema
- digital multimodality
- disadvantage
- Diversity
- Dogberry
- drag
- Drama
- Drama in practice
- dream-images
- Dunsinane
- Duplicity
- Earl of Essex
- Earl of Leicester
- early modern
- early modern drama
- East India Company
- Editing
- Edmund
- Edmund Kean
- education
- education for all
- Eèta motif
- effets de reel
- Eleanor Rhode
- Elizabethan drama
- Elizabethan lyrics
- Elizabethan poetry
- elves
- emblematics
- emojis
- ending
- England
- English language
- Enoncés performatifs
- Entertainment
- Éric Ruf
- euphuism
- Evgeni Korin
- fable
- fairies
- fake
- Falstaff
- Fantasy comic opera
- female casting
- Feminism
- festival
- Festive romantic comedy
- fifteenth-century literature.
- fifteenth-century warfare
- Film
- Film adaptation
- forgers
- fourteenth-century literature
- fourteenth-century warfare
- Fragonard
- Franco Zeffirelli
- French language
- games
- gender
- gender representation
- gender-swapped
- Genesis
- genre
- George Puttenham
- Gesture
- Gilles Deleuze
- Gods
- Gorée
- Gounod
- Gower
- Gypsy/Gipsy
- Hamlet
- Hector Berlioz
- Henri Helman
- Henry IV
- Henry V
- Henry VI
- Hispanic Rewriting
- history plays
- Hoccleve
- Holinshed
- Hollywood codes
- Holy Grail
- homoeroticism
- Howard Barker
- humanism
- Hundred Years’ War
- Hungarian theatre
- Hypocrisie
- Iago (1979)
- Ideality
- Ideological appropriation
- ideology
- illustration
- Imitation
- immersion
- India
- Inner City Cultural Center (Los Angeles)
- Innogen
- Instabilité langagière
- Invention
- Island-empire of England
- Jackson
- Jacobean theatre
- James I
- John Barton
- John Gielgud
- John Lyly
- John Madden
- John Philip Kemble
- John Webster
- Josie Rourke
- Joss Whedon
- Kampala
- Kenneth Branagh
- King John
- King Lear
- Konrad Swinarski
- Kymbeline
- Langland
- Languedoc
- Latin America
- legitimacy
- Les Amants de Vérone
- Liebestod
- lies
- Linguistic diversity
- linguistic nationalism
- literary history
- Local and universal themes
- Los Tarantos
- love
- Love's Labour's Lost
- Love’s Labour’s Lost
- Lydgate
- Lyric comedy
- lyrical drama
- Macbeth
- Mafe
- magic
- Male chauvinism
- Manipulation
- mannerism
- Margaret
- Maria Aberg
- Maritime theatre
- Marquis d’Ivry
- Max Reinhardt
- Mbeki
- medievalism
- Metaphor
- Metaphorical transpositions
- Metatheater
- metatheatre
- military treatises
- Mimesis
- mimétisme
- minimalist stage design
- Mise en scène du privé
- Moor
- movement-image
- Much Ado About Nothing
- Murray
- music
- Myth
- Myth(ical)
- Mythical performances
- Mythologization of a performance
- Naming
- Narcissisme
- narrative sources
- national identity
- National Theatre
- nationalism
- Nazism
- Négritude
- neo-medievalism
- Niccolò Machiavelli
- No somos ni Romeo ni Julieta
- norms
- nostalgia
- Not Now
- Onomastics
- Opacity
- opera
- Opera‑buffa
- Original Practices
- Orírun
- Orìṣ
- Orson Welles
- Oskaras Koršunovas
- Othello
- Otto Nicolai
- Pan Africanism
- paraphrase
- Paratext
- Paris is Burning
- Paso
- Pastoral
- Pearl Poet
- Performance
- performance
- Performance history
- Performance studies
- Performances of Hamlet
- Performances of King Lear
- performativity
- Personification
- Perspective
- Peter Greenaway
- Petrarchan
- Philip the Bastard
- phoenix
- Pippa Nixon
- plot
- Poetic collection
- Political Theatre
- popular literature
- Positif
- post-gender
- post-modern
- Post-modern stance
- Postcolonial
- posthumanism
- postmodernism
- pre-nationalism
- printing
- Promptbook
- Pronunciation
- propaganda
- Proper noun
- Prospero
- Prospero’s Books
- proto-feminism
- providence
- Racial slur
- Racism
- radicality
- Ralph Vaughan Williams
- re-gendering
- re-imagination
- re-writing
- realism
- Realism
- Réception
- reception theory
- Red Dragon
- regendering
- rehearsal-room pedagogy
- Renaissance
- Renaissance drama
- René Girard
- Resurrection
- Reviewing
- rewriting
- Rhetoric
- rhizomatic networks
- Ricardian literature
- Richard II
- Richard III
- Roaring Girl
- Robert Devereux
- Robert Dudley
- Robert Tofte
- Roi Jean
- romance
- Romantic music
- Romanticism
- Romeo and Juliet
- Romeo+Juliet
- Rosie Sheehy
- Rovira-Beleta
- Rowling
- Royal Shakespeare Company
- same-gender desire
- Sasha Waltz
- Sassy Gay Friend
- Scenographic revolution
- scopic culture
- Screwball comedy
- screwball comedy (1930s-1940s)
- Séance
- Sears
- seventeenth century comedy
- sexuality
- Shakespeare
- Shakespeare adaptation
- Shakespeare in Education
- Shakespeare in Performance
- Shakespearean rhizomatics
- Shylock
- Sims
- Singspiel
- Sir John in Love
- Situational empathy
- Slapstick
- Socialism
- solo performance
- Sonnet
- Sonnets
- Sony Labou Tansi
- South Africa
- South African drama
- Soviet Russia
- Soweto
- Spenser
- Spider
- Spiderman
- Spinoff
- Stage Beauty
- Stage to screen adaptation
- Stagecraft
- Staging
- Stanislavsky
- Stanley Cavell
- stick figures
- Sub-Saharan Africa
- Success(ful)
- suicide
- Sweet Desdemona (1968)
- Swings
- symbolism
- Symbolism
- T.S. Eliot
- tales
- Tamás Major
- Tempest
- Terry Hands
- the Bastard
- The Bear
- The Comedy of Errors
- The Faerie Queene
- the macabre
- The Merchant of Venice
- The Merry Wives of Windsor
- the Royal Shakespeare Company
- The Statue scene
- The Taming of the Shrew
- The Tempest
- the Third Reich
- The Winter’s Tale
- Theatre
- Theatre history
- Theatre of Catastrophe
- Theatre politics
- Theatre poster
- theatrical productions
- theatrum mundi
- Thomas Dekker
- Thomas Lovell Beddoes
- Thomas Middleton
- Thomas More
- Time
- time-images
- Title-page
- Tolkien
- Tottel’s Miscellany
- tragedy
- Tragic King Lear
- Tragic potential
- Transaesthetic strategies
- Transcultural issues
- transgression
- Translation
- translation
- transmasculine
- Transmission
- Transparency
- Trevor Nunn
- truth
- Twelfth Night
- Unrehearsed Shakespeare
- utopia
- vendetta
- Verdi
- Veronaville
- Véronique
- vertigo
- video games
- Vienna’s Burgtheater
- visual evidence
- Voada
- Voadicia
- voice
- weak king
- webcomic
- West Side Story
- Where is Parsifal?
- William Charles Macready
- William Hazlitt
- William Keeling
- William Shakespeare
- William Shakespeare in performance
- women playing men
- Writing(s)
- youth album
- YouTube
- Žižek
- Zuma
- ‘comicking’
- ‘Found Footage’
- ‘Good Tickle Brain’
- ‘true nature’ of cinema