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N°13 — 2018
Much Ado About Nothing: A Miscellany of 20th and 21st century Perspectives
Sous la direction de Kiki Lindell & Isabelle Schwartz-Gastine
Date de publication électronique : 30 novembre 2018
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Ce volume retrace l’histoire des performances et des adaptations contemporaines de Much Ado About Nothing, de l’étude académique à la scène et au cinéma. Issu d’un symposium de 2017 à Lund, il met en lumière l’engagement des étudiants et metteurs en scène avec les personnages, le texte et la dynamique théâtrale.
This volume traces the performance history and contemporary adaptations of Much Ado About Nothing, from academic study to stage and screen. Originating from a 2017 Lund symposium, it highlights how students and directors engage with characters, text, and theatrical dynamics. |
- Introduction
Par Kiki Lindell Tersmeden et Isabelle Schwartz-Gastine - The Classroom as Rehearsal Room: an Evidence Informed Approach to Teaching Shakespeare
Par Jacqui O’Hanlon - Costume drama: Margaret, Innogen, and the problem of Much Ado About Nothing in modern performance
Par Michael Dobson - Much Ado About Nothing: Save Innogen, and Banish the Sentimentalists’ Claudio!
Par Cedric Watts - Bodily Exultation on Screen: Branagh’s Aesthetics of Sensuality in Much Ado About Nothing (1993)
Par Pascale Drouet - “Into hey nonny, nonny”: Much Ado About Nothing, Merry-Go-Round Comedy and Swirling Worlds in Kenneth Branagh’s and Joss Whedon’s Screen Versions
Par Anne-Marie Costantini-Cornède - Whistling in the Graveyard? Or why did the Communists make four films of one Shakespeare play in four decades?
Par Ronan Paterson - Appropriations of Comic and Tragic Elements in Rourke’s and Whedon’s Productions of Much Ado About Nothing
Par Evrim Dogan Adanur - Adaptation from Screen to Stage? Branagh’s Olive Groves, Puskás’s Orangery and Shakespearean Rhizomatics
Par Gabriella Reuss - Much Ado about a Spider: Much Ado About Nothing in Polish and International Theatre Posters of the 20th and 21st Centuries
Par Sabina Laskowska-Hinz - Britain, India, Shakespeare, and the Nightwatch Constabulary
Par Varsha Panjwani - Couverture du numéro