Shakespeare en devenir

Kyoko Matsuyama is a full‑time lecturer at Komazawa Women’s University in Japan. Her research centres on English Renaissance drama performed by 18^th and 19^th century actors, John Philip Kemble and Edmund Kean ; she also takes part in a programme analysis on contemporary Shakespeare productions, mainly in London and Tokyo. Her publications include « Edmund Kean’s Merchant of Venice and Richard the Third – Criticism of Kean after 1814 and audience’s Reception » in Global COE Bulletin Theatre and Film Studies, vol. 2, Tokyo, The Tsubouchi Memorial Theatre Museum, Waseda University, Global COE Program, 2008, « New Synergies in Contemporary British Shakespeare Performance – Reading through Programs » in The Faculty Journal of Komazawa Women’s University, Tokyoand « Acceptance of Marlowe’s Edward the Second through the Program » also in The Faculty Journal of Komazawa Women’s University, Tokyo.