Shakespeare en devenir

Dr. Sabina Laskowska-Hinz teaches English Literature at the University of Gdansk in Poland. In 2022, she obtained her doctorate with a thesis entitled “The Picture Gives Me Content”: Critical Interpretations of Polish Theatre Posters for Shakespeare Productions in the Years 1966-1989. A study of motives and approaches (at the University of Warsaw). She has published articles and a book review in national and international journals, including and “Designing Goddesses: Shakespeare’s ‘Othello’ and Marian Nowiński’s ‘Otello Desdemona’” in Multicultural Shakespeare: Translation, Appropriation and Performance, “Jaques and the Wounded Stag by William Hodges, Sawrey Gilpin and George Romney:(Re) Painting Shakespeare’s Melancholic Figure” in Anglica, “Who are Our Gods? The Iconographic, Religious and Cosmic Commentary on William Shakespeare’s “The Tempest” by Wojciech Siudmak (1978)” in Rocznik Historii Sztuki [Yearbook of Art History] and “Much Ado About a Spider: ‘Much Ado About Nothing’ in Polish and International Theatre Posters of the 20^th and 21^st Centuries” in Shakespeare en devenir (online). The latest article, “Champ de blé aux corbeaux: The Tragedy of Macbeth (2021) by Joel Coen”, was co-written with Imke Lichterfeld and published in Utpictura 18. Her main interests are text-image relations, Shakespearean theatre posters, and artists as literary critics.