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N°13 — 2018
Much Ado About Nothing: A Miscellany of 20th and 21st century Perspectives
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Sous la direction de : Isabelle Schwartz-Gastine et Kiki Lindell Tersmeden Date de publication électronique : 30 novembre 2018 Couverture du numéro : © Kiki Lindell Tersmeden |
- Introduction
Par Kiki Lindell Tersmeden et Isabelle Schwartz-Gastine - The Classroom as Rehearsal Room: an Evidence Informed Approach to Teaching Shakespeare
Par Jacqui O’Hanlon - Costume drama: Margaret, Innogen, and the problem of Much Ado About Nothing in modern performance
Par Michael Dobson - Much Ado About Nothing: Save Innogen, and Banish the Sentimentalists’ Claudio!
Par Cedric Watts - Bodily Exultation on Screen: Branagh’s Aesthetics of Sensuality in Much Ado About Nothing (1993)
Par Pascale Drouet - “Into hey nonny, nonny”: Much Ado About Nothing, Merry-Go-Round Comedy and Swirling Worlds in Kenneth Branagh’s and Joss Whedon’s Screen Versions
Par Anne-Marie Costantini-Cornède - Whistling in the Graveyard? Or why did the Communists make four films of one Shakespeare play in four decades?
Par Ronan Paterson - Appropriations of Comic and Tragic Elements in Rourke’s and Whedon’s Productions of Much Ado About Nothing
Par Evrim Dogan Adanur - Adaptation from Screen to Stage? Branagh’s Olive Groves, Puskás’s Orangery and Shakespearean Rhizomatics
Par Gabriella Reuss - Much Ado about a Spider: Much Ado About Nothing in Polish and International Theatre Posters of the 20th and 21st Centuries
Par Sabina Laskowska-Hinz - Britain, India, Shakespeare, and the Nightwatch Constabulary
Par Varsha Panjwani