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N°12 - 2017
Shakespeare et l'Afrique / Shakespeare and Africa
- Couverture
- Shakespeare et l’Afrique / Shakespeare and Africa
- African Tempests and Shakespeare’s Middle Passage
Par Chantal Zabus - Name-calling the Egyptian Queen in Antony and Cleopatra : a case in point of the distortion of Africa through the racial slur “gypsy”
Par Nora Galland - Maritime Performance Culture and the Possible Staging of Hamlet in Sierra Leone
Par James Seth - “Un Théâtre d’Intervention”: Two Congolese Adaptations of Shakespeare
Par Rebekah Bale - Acting Out of Discontent : Satire, Shakespeare, and South African Politics in Pieter-Dirk Uys’s MacBeki : A Farce to be Reckoned with and The Merry Wives of Zuma
Par J. Coplen Rose - “From Performing the ‘Sundiata Form’ to Staging the Òrìṣà” : Djanet Sears’s search for orírun in Harlem Duet
Par Lekan Balogun - More Moor, Less Venice: Africa Talks Back to Othello in Not Now, Sweet Desdemona and Iago
Par Marguerite Rippy - African Kings: Makibefo (1999) and Souli (2004), Alexander Abela’s Transcultural and Experimental Screen Shakespeare
Par Anne-Marie Costantini-Cornède