https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=2214 Index de Myth(ical) fr 0 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1857 Looking at the reception of Shakespearean plays that were produced at the Comédie‑Française from the beginning of the 20th century onward, we are surprised to acknowledge mitigated reactions. At the beginning of the twentieth century when tragedies predominated in the repertoire, apart from Hamlet (adapted by Dumas) and later Emile Fabre’s Coriolanus which was a significant performance in the turbulent year 1933, the adaptations of the Elizabethan classics did not encounter a frank success nor did they remain in people’s memory. After the Second World War, the technical means used in scenography were rather uninventive and the evolution of Shakespeare’s fame was timid until foreign stage‑directors such as Terry Hands, Jorge Lavelli, Luca Ronconi or Luis Pasqual were invited. But even then, the success of the guests’ productions was uneven for various reasons, which would have made us forget them partly had there not been archives to leave traces of them. Hence, one of the questions that should be raised is : what are the material, ideological or phenomenological events contributing to imprint a given production in the memory of a theatre such as the Comédie‑Française ? Today, we are in a good position to analyse what made mythical Shakespearean productions in the « Ruche » (Beehive) in the 20th century because some time has elapsed. In this paper, I would like to discuss the various reasons that contributed to dissociate successful productions of Shakespeare’s plays at the Comédie‑Française from those that have vanished from our minds for ever. Undoubtedly, either inner political conflicts or international preoccupations have influenced the history of Shakespeare’s reputation in Molière’s House but there is more to be said. This analysis should enable us to anticipate whether productions such as Oskaras Korsunovas’ 2007 Taming of the Shrew or Andrés Lima’s 2009 Merry Wives of Windsor will ever become mythical. ven., 27 déc. 2019 18:31:45 +0100 sam., 28 déc. 2019 14:34:47 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1857