https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=137 Index des publications de auteurs André Lascombes fr 0 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=136 The article discusses at first how the condensing and focussing principle, founding the spectacular economy, works hand in hand with two devices of quasi-constant use: re-semantizing on the one hand and channel-untwining on the other, both proving activators to the energizing glass of ostension. It then turns to illustrating some effects caused by another major spectacular trend which, inherited from the medieval stage, endures to the end of the Renaissance: the doubling up of what is actually seen by the suggestion of an unseen: this assists the budding forth of two spectacular phenomena likely to acquire tropological force: the theatre diaphora and its “junior” form: the syllepsis. jeu., 28 janv. 2010 15:31:05 +0100 jeu., 28 janv. 2010 15:31:05 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=136