https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=226 Shakespeare en devenir N°1 — 2007 fr ven., 30 avril 2010 11:45:49 +0200 lun., 03 juil. 2023 18:13:43 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=226 0 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=122 “Lear as if on screen: André Engel’s 2006 staging of Le Roi Lear at the Ateliers Berthier, Théâtre National de l’Odéon” André Engel’s 2006-2007 production of Le Roi Lear in the vast room of the Ateliers Berthier (Théâtre National de l’Odéon, Paris) bore the double hallmark of film hybridization and intertextuality. Without distorting Jean-Michel Déprats’s French translation, Engel used a condensed version of the text as if to script it. Under the influence of both Howard Hawks’s Scarface (and American “films noirs” more generally) and Orson Welles’s Citizen Kane, Engel transposed the action to the America of the 30s, resorting to the film codes and motifs of that period of time and transposing some film techniques to the stage—effects indebted to film editing, effects of realism usually associated with the screen, use of soundtrack.  Rather than representative of the way the Shakespearean repertoire is staged in France, such hybridization could reflect the influence of some “post-drama drama”, as Hans-Thies Lehmann puts it, which transgresses and transcends boundaries between arts and genres. jeu., 28 janv. 2010 15:20:22 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=122 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=124 jeu., 28 janv. 2010 15:20:52 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=124 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=127 jeu., 28 janv. 2010 15:21:30 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=127