https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1063 Index des publications de auteurs Estelle Rivier-Arnaud fr 0 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3540 mer., 16 sept. 2026 23:58:43 +0200 jeu., 15 oct. 2026 19:05:06 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3540 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3389 jeu., 10 sept. 2026 17:04:12 +0200 jeu., 10 sept. 2026 17:05:09 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3389 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3373 jeu., 10 sept. 2026 16:03:26 +0200 mer., 23 sept. 2026 23:35:42 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3373 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3320 sam., 28 févr. 2026 13:01:22 +0100 jeu., 10 sept. 2026 18:06:06 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3320 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3225 sam., 15 nov. 2025 17:16:35 +0100 jeu., 15 oct. 2026 21:27:42 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3225 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3147 mar., 10 déc. 2024 00:56:44 +0100 jeu., 15 oct. 2026 21:27:26 +0200 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3147 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3145 mar., 10 déc. 2024 00:51:20 +0100 sam., 28 févr. 2026 12:38:01 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3145 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3018 sam., 07 déc. 2024 16:11:55 +0100 mar., 10 déc. 2024 00:58:55 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=3018 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1857 Looking at the reception of Shakespearean plays that were produced at the Comédie‑Française from the beginning of the 20th century onward, we are surprised to acknowledge mitigated reactions. At the beginning of the twentieth century when tragedies predominated in the repertoire, apart from Hamlet (adapted by Dumas) and later Emile Fabre’s Coriolanus which was a significant performance in the turbulent year 1933, the adaptations of the Elizabethan classics did not encounter a frank success nor did they remain in people’s memory. After the Second World War, the technical means used in scenography were rather uninventive and the evolution of Shakespeare’s fame was timid until foreign stage‑directors such as Terry Hands, Jorge Lavelli, Luca Ronconi or Luis Pasqual were invited. But even then, the success of the guests’ productions was uneven for various reasons, which would have made us forget them partly had there not been archives to leave traces of them. Hence, one of the questions that should be raised is : what are the material, ideological or phenomenological events contributing to imprint a given production in the memory of a theatre such as the Comédie‑Française ? Today, we are in a good position to analyse what made mythical Shakespearean productions in the « Ruche » (Beehive) in the 20th century because some time has elapsed. In this paper, I would like to discuss the various reasons that contributed to dissociate successful productions of Shakespeare’s plays at the Comédie‑Française from those that have vanished from our minds for ever. Undoubtedly, either inner political conflicts or international preoccupations have influenced the history of Shakespeare’s reputation in Molière’s House but there is more to be said. This analysis should enable us to anticipate whether productions such as Oskaras Korsunovas’ 2007 Taming of the Shrew or Andrés Lima’s 2009 Merry Wives of Windsor will ever become mythical. ven., 27 déc. 2019 18:31:45 +0100 sam., 28 déc. 2019 14:34:47 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1857 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1850 Le texte de Shakespeare a été remanié par de nombreux auteurs et médias et, depuis le XIXe siècle, celui-ci a aussi été modifié pour les enfants. Cet article se propose d’analyser six réécritures de Roméo et Juliette dans les albums pour enfants, dont trois en langue anglaise et trois en français. Dans une écriture à quatre mains, nous examinons la façon dont le texte a été changé à la fois au niveau de la forme (du vers à la prose et du théâtre à la fiction) et du fond pour intéresser et captiver un jeune public qui découvre Shakespeare parfois pour la première fois. L’élément pictural ainsi que la place de l’amour charnel, de la violence et de la mort dans ces albums sont également étudiés. Shakespeare’s text has been reworked many a time by many an author but since the XIXth century it has also been made available to children. This article analyses six rewritings of Romeo and Juliet for children in picture-books, three in English and three in French. We examine how the text was modified both in style (going from verse to prose and from theatre to fiction) and content in order to captivate a young audience who may be discovering Shakespeare for the very first time. The addition of pictures will also be discussed as well as the adjustments made for the rendition of lust, violence and death on the page. ven., 27 déc. 2019 17:04:05 +0100 dim., 20 févr. 2022 00:47:51 +0100 https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1850